Although Chuck Bernard came from St Louis and even recorded doo-wop there with the group the Blue Notes, he is always associated with the Windy City where he moved in the early 60s. A talented vocalist in the "hard soul" style his contribution to the Chicago music scene has never really received its proper recognition, despite his prolific recording history.

He started out in 1964 contracted to Dick Simon’s Satellite / St Lawrence company, not just as a performer but as a producer and sometime A & R man as well. He had no less than five 45s issued by the company and Bernard scored a couple of big local hits with the tough uptempo Indian Giver and the hand clapper Funny Changes, his only national chart success. But they weren’t his best vocal performances. He sounded much more convincing on both sides of his first single I Can’t Fight It and Send For Me. The mid-paced bluesy beat ballad Dial My Number showed his fiery, hoarse tones really well, and he’s very well accompanied by an uncredited female vocalist as well. But the pick of these early sides for me is the fine melodic She’s Already Married, a tasteful ballad with some excellent horn charts and tom tom led drum patterns.

Chuck appeared on Episode 18 of "The Beat!!!!" lip-synching to My Baby (called Talking About My Baby for some reason) and although he looked sharp in his suit, he didn't appear to have much stage presence and came across as rather stiff. His second song was done live in the studio and although its lovely to see the guy and hear his fine pipes, sadly the song was the awful Danny Boy. Absolutely unlistenable!

Bernard’s New Breed sides are very much in a similar vein to his previous efforts - tough hard hitting Chi-town music. Although Hall Of Soul with its recitation of soul stars and it’s rhythm debt (and specific reference) to Brother James There Was A Time is great fun, my favourite is the down beat Anything For You. No horns to add spice to the mix this time but some lovely chord changes and well-judged double tracked lead vocals – as gruff as you could want.

After a brief stop at Maverick for a reprise of Indian Giver, Bernard went to Ric Williams’ Zodiac for another extended run of five 45s. And the second release was a double sided winner. Everything Is Alright Now is classic Chicago mid paced soul with some top notch singing, and The Other Side Of My Mind is at least as good. The more relaxed I’m Lonely is a personal favourite of mine of Bernard’s work, featuring some lovely electronic piano fills and careful horns and strings. But the cream of his stay with Zodiac must be the first class Thank You Ma’am. Bernard had one further rare release on Brunswick featuring the mellow rather Tyrone Davis flavoured ballad A Shoulder To Lean On which had a super melodic hook but by then the days of tough Windy City music were over.

Although Chuck Bernard never made the front rank of Chicago’s highly competitive scene the depth of his recordings and his soulful vocals deserve to be much better appreciated than they are. Maybe this page will help to redress the balance a bit.